Concentration
Jun 08, 2010
A neighbor has decided to have his house prepped for a new paint job this month, so for the foreseeable future the “music” of several electric hand sanders will compete in my head with the piece I’m trying to compose.
Yesterday the noise was unrelenting, a kind of persistent, high pitched whine, like what you’d imagine an attack by a squad of World War II fighter planes would sound like.
I try to “filter it out,” but it’s not easy. Sometimes the strange counterpoint of the two machines is distracting enough to pull me away from my own musical ideas. My concentration is right now so fragile that just about anything can upset it.
I try not to indulge my annoyance, thinking instead of what it must be for the two Hispanic workers who have to operate those sanders forty hours a week and probably send 75% of their earnings home to their families in Guatemala or Honduras.
Instead I drift off into a reverie about the very subject that’s challenging me—concentration.
The power to concentrate is a gift. I believe that being able to sustain it is largely the result of self-confidence. If you doubt the power of your intellect or doubt the quality or value of what you are doing you are much less willing to “stay with it.” You’ll find that what you’re doing is a chore, a painful, grinding obligation. In these circumstances concentrating is a task, an unpleasant struggle that actually, physically hurts. There’s always a part of you that is begging for relief, ready to jump ship at the slightest prompt, cut yourself loose from the humiliating confrontation of your pitifully weak brain with the intractable material you’re trying to manipulate and create meaning out of.
Alternatively, when you’re “on,” when you’ve found the groove, concentration ceases to be a matter of pain, ceases to be something you wish to avoid at all costs. Instead you’ll experience its opposite, a state of pleasure in the brain, like a sustained presence of endorphins.
During those rare moments when everything is clicking, I’ll find myself so absorbed in my concentration that I’m furious that I even have to get up to go to the bathroom. At that point, even the sound of a relentless electric sander can’t penetrate the trance. But oh, how precious and how rare those times are!
Adorno, speculating on Beethoven’s deafness and exceptional powers of concentration, intimates that the deafness was not entirely a pathological condition but also an elective one, and he mentions Romain Rolland’s linking of Beethoven’s deafness with his “immense inner concentration, his incessant auditory seeking and grasping.”
Adorno even muses “It is conceivable that Beethoven actually WANTED to go deaf—because he had already had a taste of the sensuous side of music as it is blared from loudspeakers today.”
The grisly story is apparently true that only hours after Beethoven died a surgeon probed and extracted his inner ear in an attempt to locate the source of his deafness.
A certain Doctor Marage, after analyzing these post-mortem findings wrote “‘The cause of Beethoven’s deafness seems to me to lie in a congestion of blood in the inner ear of the auditory centers, caused by overstrain of the organ through excessive concentration, and in the pitiless inevitability of thought…”
This prompts Adorno to quote Julius Bahle, apparently a German psychologist, who brings it all to the meta-level by saying “According to this diagnosis, therefore, Beethoven had sacrificed himself on the altar of deafness in order ‘to draw nearer than others to God, and from that vantage point to spread the divine radiance among mankind.’”

But I digress. It’s nearly ten a.m. and the electric sanders next door have yet to commence their searing wail. Maybe today’s a day off. Or maybe their job is done.
Either way there’s no avoiding the task ahead for me. There will be a thousand potential distractions, digital or otherwise. Time to take a deep breath, withdraw from the social network (the grandest, most elaborate concentration-buster of all) and force those neurons into order.
Add a Comment
Copyright © 2010 by John Adams
All rights reserved
About Hell Mouth
Hell Mouth is a blog about music (mostly contemporary), literature (mostly good), politics (mostly pernicious) and culture (mostly American). It is written by John Adams with the help of several “friends” who live in the redwoods of coastal Northern California.
Archive
Best of Hell Mouth
Composition Master Class
Some students will preface their presentations by an anecdote: “I got this rhythmic idea from the weird way my roommate snores.”
A Critic's Guide
I’m thinking this is ridiculous. “Marcel, you’re shitting me. You can’t even read music and now you’ve become a music critic!”
Hocking a Hooey at the Concert
The pianissimos are as intimate as a whisper. The concert hall is transfixed. And then, suddenly from somewhere in the back “WHOARGGGHHAAAARRRAAAAAACK!!!”
Frank Zappa wakes up president of Yale!
“Ladies and gentlemen I’ve worked my butt off on these two talks, especially this dazzler today about an antisocial German who contracts syphilis and takes to composing twelve-tone music.”
Continental Flyover with Sean Hannity and Theodore Adorno
I’m squashed into the window seat of my Jet Blue Experience, enduring the ritual Oakland to JFK American Heartland Flyover. Light reading this time: Adorno on Music.Hammerklavier at the Dog Show
Wondering if Boulez has ever been to a dog show, I leave early in the morning with Eloise sound asleep on the back seat and a bag of pricey dog food in the trunk.
On surviving a first rehearsal
Advice to composers: Try not to panic if you can’t recognize that noise coming from the stage as something you wrote.






Comments (17)
June 8, 2010
Sometimes I compose at school. I use really strong ear-plugs, and they isolate me from all sounds around me. It works for me - and my library is really noisy sometimes because my peers are really crazy sometimes.
June 8, 2010
Best of luck with the new work. I don't doubt it'll be fantastic.
June 8, 2010
A truly inspiring post, John. An authentic view into the world of a composer, but written in a way anyone, even non-artists, can relate.
June 8, 2010
"sacrificed himself on the altar of deafness in order ‘to draw nearer than others to God'"
Sanctimonious attitudes like that make the world of classical music pretty much unbearable for me.
June 9, 2010
First half was great! I'll finish reading after I'm done checking my facebook.
June 9, 2010
Doctors are so cute when they try to be so serious.
June 9, 2010
John,
This reminds me of practicing (piano) while the lawnmower is going just outside the window.
Also, my theory teacher in college, also a composer, was fond of citing phrases like "the sunrise of the composition" about how NOT to review a piece of music.
Hope things have quieted down by now!
June 9, 2010
I had the opposite as a schoolchild - having to do my German homework with my parent's wind quintet practising in the room below.
Now I find that I get distracted by Hellmouth when I should be concentrating on my work.
Damn you Adams!
And please don't write any wind quintets, we don't want to encourage my parents again
June 9, 2010
Good luck on it John!
I know exactly what you mean!
I'm sure the next masterpiece will make us all marvel once again!
June 11, 2010
Tried noise reduction headphones?
June 15, 2010
At least it's not vuvuzelas next door! But seriously, I sympathize. For me, it's the neighbor's air conditioning unit, constantly wheezing and whining, day and night. Ugh!
June 15, 2010
Maynard Solomon, in his "Beethoven" has a very interesting 15 page discussion of the composer's deafness, which apparently started with what we would call tinnitus and grew increasingly severe. Beethoven may have believed that he caused it himself a fit of rage "in response to what he considered persecutory behavior by a primo tenore" in Fidelio -- at least as reported by Thayer.
June 17, 2010
If the AC unit is on- so is my concentration. Love it!
Inspiring post, as always.
June 22, 2010
American folk singer songwriter Paul Simon said, "A great song writes itself." Perhaps he is saying that when you hit upon a good musical idea, it has a way of taking you on a journey... telling you were to go next. Although fun, self inflicted concentration is no longer required. You literally get swept away by the inherent force of the musical idea. Outside distractions disappear!
August 22, 2010
some friends tell me the watches from the web http://www.rolexclassic.com/ have good quality and their service is the best
http://www.rolexclassic.com/Classic_Watches/65/2224.Html
http://www.rolexclassic.com/Classic_Watches/65/2221.Html
http://www.rolexclassic.com/Classic_Watches/52/2217.Html
August 23, 2010
I work in IT, and I have experienced exactly the same struggle. When I'm "on", breaking for lunch or a "pause naturale" gets put off for as long as possible. As a bonus, the difficulties of the task become irrelevant. When I'm off my game, I cannot shut out the call of the refrigerator, my favorite blogs, or all the trivial details of life that normally take care of themselves.
Sometimes, the best one can do is to adopt a strategy of "fake it until you make it". I think the muses respect a good work ethic, and if the talent is there, they will show up even if you are just going through the motions.
August 26, 2010
Oh, I dunno. Doubt can be useful too.
"God protect us from composers who are sure of themselves," said one mentor. As composers age, they also grow long in the tooth compositionally. (Not us, of course, so back to relentless edits.)
I think most can sympathize with your plight, though. And "Break a leg" in any case.
Cary Boyce